![]() ![]() If MIDI regions are copied or moved in the main track editing display, usually all MIDI data in the regions would be included-notes plus whatever other MIDI data is present. Typical examples could be sustain pedal data (MIDI CC 64) or Pitch Bend data-if a Sustain Off message or Pitch Bend reset message is left behind, subsequent notes might ring out too much or be slightly out-of-tune. If the MIDI region has only note data, then the edit should be fairly straightforward, but if there’s also other MIDI data as part of the performance, then the editor needs to be careful not to accidentally leave that behind. This is usually easy, and can be done in various ways: MIDI regions can be cut up in the main editing area, or notes can be selected and edited in a particular editor display like a piano roll editor window.īut depending on the method used to make the edit and the particular DAW, there could be a gotcha with this kind of tweak. ![]() Don’t Forget The CC And Other MetadataĬutting/copying and pasting MIDI data is a pretty common edit-an arranger may need a particular section to repeat for a while, or want to fly in a phrase for reuse elsewhere in the tune. Here, in no particular order, are 5 mistakes to watch out for when tweaking MIDI performances. But there are still mistakes that can be made which can sometimes slip by in a busy session, resulting in problems. The variety of editors available in most DAWS-piano roll, score display, event list-usually make it fairly easy to visually move around notes and phrases, and automatic MIDI commands like Quantization allow for quickly implementing what would otherwise be somewhat tedious operations. MIDI editing is generally a pretty straightforward task. ![]()
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